Des Knaben W马勒《少年的魔号》、《吕克特歌谣》声乐钢琴曲谱 underhorn and the Rückert Lieder for Voice and Piano 下载 pdf 百度网盘 epub 免费 2025 电子版 mobi 在线

Des Knaben Wunderhorn (The Youth's Miraculous Horn) was an assemblage of folksongs and folksong-style poems collected and adapted in 1805 and 1808 by poets Achim von Arnim and Clemens Brentano to reflect their concept of German folk poetry. In 1887, Gustav Mahler discovered the musical potential of this col-lection; and over the next 14 years, it provided him with most of his song texts.

By applying his personal experiences to reinterpret literary thought--something he was to do all his life in almost every composition he penned--he was able to create musical settings that elevated poetry beyond the realm of fairy tale and neomedievalism. Included among these elebrated lieder are:

Zu Strassburg auf der Schanz'

Ablosung im Sommer

Nicht Wiedersehen!

Wo die schonen Trompeten blasen

Trost im Ungluck

Rheinlegendschen

In addition to Mahler's 23 songs on Wunderhorn texts--and the full text of the 24th song, Das himmlische Leben--this important new compilation contains his settings of five poems by Friedrich Ruckert-a marvelous representation of the composer's most intimate and significant work. Both sets of songs have been reprinted from authoritative sources for this handsome, inexpensive edition.

Original Dover (1999) compilation of works from various authoritative editions.Annotated contents. Glossary. Text translations. 168pp. 9 x 12. Paperbound.

Glossary

Test Translations

24Songs to Tesxts from Des Knaben Wunderhorn(The Boy's Miraculous Horn)

Ablosung im Sommer

Aus!Aus!

Das himmlisch Leben

Das irdische Leben

Der Schildwache Nachtlied

Der Tamboursg'sell

Des Antonius von Padua Fischpredigt

"Es sungen drei Engel einen sussen Gesang"

Ich ging mit Lust durch einen grunen Wald

Lide des Verfolgten im Turm

Lob des hohen Verstands

Nicht wiedersehen!

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书籍介绍

Marvelous musical settings based on 23 German Volkslied (folk poems) and 5 poems by Friedrich Ru ckert. Extraordinary representation of the composer's most intimate and significant work.